NANOmaterials for the REStoration of works of ART (NANORESTART)
Research Project, 2015
– 2018
Currently there is a lack of methodologies for the conservation of modern and contemporary artworks, many of which will not be accessible in very short time due to extremely fast degradation processes. The challenge of NANORESTART (NANOmaterials for the REStoration of works of ART) will be to address this issue within a new framework with respect to the state of the art of conservation science. NANORESTART is devoted to the development of nanomaterials to ensure long term protection and security of modern/contemporary cultural heritage, taking into account environmental and human risks, feasibility and materials costs. The market for conservation of this heritage is estimated at some €5 billion per year, and could increase by a significant factor in the next years due to the wider use of nanomaterials. The new tools and materials developed will represent a breakthrough in cultural heritage and conservation science and will focus on: (i) tools for controlled cleaning, such as highly-retentive gels for the confinement of enzymes and nanostructured fluids based on green surfactants; (ii) the strengthening and protection of surfaces by using nanocontainers, nanoparticles and supramolecular systems/assemblies; (iii) nanostructured substrates and sensors for enhanced molecules detection; (iv) evaluation of the environmental impact and the development of security measures for long lasting conservation of cultural heritage. Within the project the industrial scalability of the developed materials will be demonstrated. NANORESTART gathers centres of excellence in the field of synthesis and characterization of nanomaterials, world leading chemical Industries and SMEs operating in R&D, and International and European centres for conservation, education and museums. Such centres will assess the new materials on modern/contemporary artefacts in urgent need of conservation, and disseminate the knowledge and the new nanomaterials among conservators on a worldwide perspective.
Participants
Romain Bordes (contact)
Applied Surface Chemistry
Collaborations
Akzo Nobel - Pulp and Performance Chemicals
Göteborg, Sweden
Arkema France
Colombes, France
Art Institute of Chicago (AIC)
Chicago, USA
Associazione Italiana per la Ricerca Industriale (AIRI)
Rom, Italy
Board of Trustees of the Tate Gallery
London, United Kingdom
Brera Academy
Milan, Italy
Chevalier-Aurelia
Paris, France
Consiglo Nazionale Delle Richerche
Rom, Italy
Consorzio Interuniversitario per lo Sviluppo dei Sistemi a Grande Interfase (CSGI)
Sesto Fiorentino, Italy
Federal University of Rio de Janeiro
Rio de Janeiro, Brazil
MBN Nanomaterialia
Carbonera, Italy
Ministerio de Educación, Cultura y Deporte
Madrid, Spain
Mirabile Antonio
Paris, France
National Institute of Chemistry
Ljubljana, Slovenia
National Museum of Denmark
Köpenhamn, Denmark
Stichting het Rijksmuseum Amsterdam
Amsterdam, Netherlands
The French Alternative Energies and Atomic Energy Commission (CEA)
Gif-sur-Yvette, France
Universidade Federal do Rio Grande do Sul (UFRGS)
Porto Alegre, Brazil
Universidade de Santiagode Compostela
Santiago De Compostela, Spain
Universitat Autonoma de Barcelona (UAB)
Cerdanyola Barcelona, Spain
University College Cork
Cork, Ireland
University College London (UCL)
London, United Kingdom
University of Amsterdam
Amsterdam, Netherlands
Zentrum für Bucherhaltung (ZFB)
Leipzig, Germany
Funding
European Commission (EC)
Project ID: EC/H2020/646063
Funding Chalmers participation during 2015–2018