On the way to tempera grassa: Unraveling the properties of emulsion-based paint binders
Journal article, 2023

Painting technique in Europe underwent a major change in the 15th century, when the use of egg yolk as a binder in tempera painting was gradually replaced by oil paint. This transitional period probably saw the occasional use of a mixed technique called tempera grassa, in which both types of binders, egg and oil, are mixed in the form of an emulsion. In order to better understand and document this historical painting practice, this article describes the physico-chemical aspects of emulsion-based binders, prepared with egg yolk and either raw linseed oil, or linseed oil partially saponified with lead oxide. Highly stable direct emulsions can be prepared with linseed oil (raw or lead-treated) and egg yolk. Remarkably, lead-treated oil also allows the formation of stable inverse emulsions. The rheological properties of direct emulsions are driven by the oil fraction: as this parameter increases from 0 to 70 wt% oil, the emulsion changes from a viscous liquid to a viscoelastic solid, which allows its flow to be easily tuned by the painter. The impact of egg yolk on the drying mechanism of the emulsion is elucidated thanks to the combined use of NMR relaxometry and FTIR spectroscopy.

Tempera grassa

NMR relaxometry

Emulsion

Rheology

Confocal microscopy

Author

Côme Thillaye du Boullay

Sorbonne University

Maguy Jaber

Sorbonne University

Maïwenn Le Denic

Sorbonne University

Floriane Gerony

Sorbonne University

Romain Bordes

Chalmers, Chemistry and Chemical Engineering, Applied Chemistry

Guillaume Mériguet

Sorbonne University

Anne Laure Rollet

Sorbonne University

Philippe Walter

Sorbonne University

Laurence de Viguerie

Sorbonne University

Colloids and Surfaces A: Physicochemical and Engineering Aspects

0927-7757 (ISSN) 18734359 (eISSN)

Vol. 673 131816

Subject Categories (SSIF 2011)

Chemical Sciences

DOI

10.1016/j.colsurfa.2023.131816

More information

Latest update

6/23/2026